For a while now, I have had this feeling that my blog isn't well-named given my tendency to talk about cameras and photography more than say... music.
I think I might just rebrand myself here. After all, my domain has nothing to do with the blog name.
Further to this is my total lack of info on myself. Not that any of you really cares. The quick details. I'm a 30year old amateur photographer, that has been doing the dSLR thing for 3 years now, and digital photography thing for close to ten years. In those ten years, a lot of crappy point and shoots passed through my hands. And quite a few of which have taught me that name-brand doesn't me shite. (Agfa, Sony, Kodak, Panasonic, Samsung, etc...) but I digress. I'm from Canada, residing in Toronto, Ontario. Originally I am from Montreal, Quebec - however that was so long ago that, all i can say is that I was born there and that the Habs are the best team in the NHL.
I grew up in the suburbs of the Greater Toronto Area (GTA), but spent many summers in what is perhaps the most picturesque part of Ontario - Georgian Bay (Midland and the 30,000 islands specifically). Ironically, having grown up, surrounded by gorgeous panoramas that were the basis of the Group of Seven's work, Landscape photography has appeal for me.
I can go on, but i won't. Because the truth is... I came here to talk about the Canon 430EX. I will be acquiring one, so, as a result, I'll be doing a quick write-up about it now, and a more detailed summary later.
First things first - why the 430? because I was able to score one in amazing shape for a decent price. Sure, I could've spent a few more $ and got an EXII version, but to be honest, this will be the first good flash I will be able to work with. Not to say that the others I've used suck... it's just that anything good that was strapped on to my camera was only on temporarily, and the rest have been iffy at best... or restricted to RF triggering.
Okay... Secondly. What's special about the 430EX? well... I'm not sure. Except that it does have High Speed Sync (HSS) hence my interest in it, as that's an area of strobing that I want to get into eventually.
Now... the downsides to the 430 (version 1). What's the difference between the v1 and v2? Visually/physically, virtually none.
However, the guts are what matter, right? Well, the EXII has a better IBGT system, which allows for quicker power recycling* and it is silent. Thus making the EX1 slower and noisy, apparently. The EX1 has the standard lock-ring that pretty much all flashes have [except the 430EXII and 580EXii] and unfortunately, it has a plastic foot. While both have slave modes, the first version has a switch for it, and other features can be controlled either on flash or through the in-camera menu (this will be fun to play with). Lastly, there are supposedly some custom features in both versions. I've only read that there's only 6 of them in the v1, but no word on the v2. I'd like to know what the difference between them is, but being a newcomer to a Canon-made dedicated flash with brains.
* - the recycling time of the V2 over the V1 is said to be 20% faster. Yet, the V1 is said to be 40% faster than it's predecessor, the 420EX - so, i really take that sort of crap with a grain of salt. The reality is, with standard (alkaline) AA's, the 430 should recycle in less than 4 seconds. But as all good photographers know - you don't use Alkalines, you use NiMHs! Recycling with those is reported at 2s, after full-power flash, and since most users rarely use full-power, that 2sec recycle is immaterial.
That should give you something to think about.
For a more fleshed out run-down and completely objective review, please visit this site: http://www.the-digital-picture.com/Reviews/Canon-430EX-Speedlite-Flash-Review.aspx
Showing posts with label flashing. Show all posts
Showing posts with label flashing. Show all posts
Monday, June 7, 2010
Friday, March 13, 2009
Flashing and Streaking...
Having started this blog just a few days ago, explaining how I would like to focus my efforts on key subjects, I thought of the regularity of which said subjects could be discussed. Since, Wednesday was a car-blogging, then maybe another day can be a photography blogging? Friday, being the beginning of the weekend, I could discuss music. However, one could argue that it would be wiser to discuss music at the end of the weekend, after I have either a) downloaded and/or purchased new music or b) heard something new. Either way, I haven't got a concrete schedule that I can adhere to yet, and this early in the game, I probably shouldn't.
Today, is my first photo-blog entry, and I'm not sure what to talk about this (first) time. I suppose I can talk about some of the small little tricks I have learned in my short time as a serious, yet still amatuer photographer.
First, this is not just advice for photography, but for life. Start cheap. This isn't because you can get by with cheap, but rather because it's better to learn with cheap, growing into better equipment. I doubt some of the greatest photographers like Leibowitz or Adams started with the cameras that they took their most famous pictures with. The point i'm trying to make here is, it's with the less expensive equipment that you can get started and going. From the less expensive, you can learn the basics and some of the advanced too (if you're brave enough to explore some of the crazy features in your camera - I for one, am still looking for an opportunity to use MLU)
Second - Auto... learn to use it, learn to love it. It's in this mode that you can capture amazing shots without thinking. Why miss out on a killer shot by mucking about with your fancy Manual settings, when you don't have to? I started shooting Auto and Night-time before I ultimately moved to Tx (shutter priority). From Shutter Priority, I moved briefly to Aperture Priority (Ax), only to go back, before i went to Full Manual. It was in September of 2008, that I first went manual, successfully. To this day, I am still proud of that shot
Third -If anything I have learned [okay, observed] it's that if you find yourself in a photographic slump, there's 3 things you can do about it.
1) Do a little research on the net for tips and tricks.
I like to visit these three sites:
a) Strobist
b) DIYphotography
c) Instructables [note: i don't have a direct link for their photo stuff... couldn't find it]
Without a doubt, the modern digital photographer should be going to the first. The frugal and/or photographing newcomer, should be going to the the second and third as well. The latter two are actually good suggestions for getting close to professional results via methods that... well, professionals would balk at. Can't knock a cool photo now, can you? Anyhow... having said that, some of the projects on those two sites circumvent some crappy aspects of amatuer photography as well... like that of flashing with more power.
2) Join a photo club/blog/site.
If you're on Facebook, like so many of us are, there are hundreds of photoclubs. I alone, am in 3 different clubs, but I will admit, I don't really go to two of them often. I have found that these photoclubs can be a boon to a photographer looking for a challenge and for ideas. The reason being is, you can get a glimpse into what others are taking photos of. I do have to say though, I have a bit of a problem with some groups as they will allow users of point and shoot cameras in their contests, which i think is kind of cheating. More to the point, P&S users don't understand EXIF or the difficulty in making settings work. I'll admit, there are some fancy P&S cameras out there that do have full manual modes in them, but none have the control of a decent SLR. At least, in my experience. (Though the S5 and G9 are rather good).
Having said that... photoblogs and clubs are great for lists of ideas. Here's a sample list of what you can take pictures of:
Machinery * Religious Celebrations * Earth/Wind/Fire/Water * Around the House * Graffiti * Diagonals * Technology * Time * Glass/Crystal * Spring * Trees * Games * Feathers * Gardens * Many * Family Fun * At the Beach * Waterfalls * Architecture * Mountains * Boats/Ships * What's for Dinner? * Symmetry* Ruins * Toys * Pools/Fountains * Weddings * Music * One * Roads/Paths * Fluid * From the Underside * Secret Places * Fences/Walls/Gates * People at Work * Waves * Eggs * Spires/Steeples * Faces * Vases * Square * Attics/Cellars * Landmarks Ice * Centrepieces * Beverages * Grasses * Wood * Demolition * Collections * Books * Running * Fruit/Berries
3) The last suggestion is more of an idea that I'd rather not suggest, but it should be considered.
PUT THE CAMERA DOWN - at least for a while. I have found that the best way to get around a slump is to not be bothered by said slump. Putting the camera away for a while will force an abandonment of some bad techniques (theoretically) and will give you fresh eyes when you return to it. Sometimes, it helps to put it away so you can give thought to a technique you'd like to try. Thinking is good. Compose the shot as best as you can in your mind - think of how you need to set everything up and how to get there with your (available) equipment.
Having said all this... I'm currently trying to think through aperture designs for my Lensbaby.
My current project is attempting to create a zone plate for my lensbaby. Understandably, the creative aperture that I will eventually create will not be a true zone plate, but it will be the closest damn thing i can get to one. Naturally, a pinhole will be the easiest to accomplish (drill a hole in the aperture disk and bam! pinhole.
Today, is my first photo-blog entry, and I'm not sure what to talk about this (first) time. I suppose I can talk about some of the small little tricks I have learned in my short time as a serious, yet still amatuer photographer.
First, this is not just advice for photography, but for life. Start cheap. This isn't because you can get by with cheap, but rather because it's better to learn with cheap, growing into better equipment. I doubt some of the greatest photographers like Leibowitz or Adams started with the cameras that they took their most famous pictures with. The point i'm trying to make here is, it's with the less expensive equipment that you can get started and going. From the less expensive, you can learn the basics and some of the advanced too (if you're brave enough to explore some of the crazy features in your camera - I for one, am still looking for an opportunity to use MLU)
Second - Auto... learn to use it, learn to love it. It's in this mode that you can capture amazing shots without thinking. Why miss out on a killer shot by mucking about with your fancy Manual settings, when you don't have to? I started shooting Auto and Night-time before I ultimately moved to Tx (shutter priority). From Shutter Priority, I moved briefly to Aperture Priority (Ax), only to go back, before i went to Full Manual. It was in September of 2008, that I first went manual, successfully. To this day, I am still proud of that shot
Third -If anything I have learned [okay, observed] it's that if you find yourself in a photographic slump, there's 3 things you can do about it.
1) Do a little research on the net for tips and tricks.
I like to visit these three sites:
a) Strobist
b) DIYphotography
c) Instructables [note: i don't have a direct link for their photo stuff... couldn't find it]
Without a doubt, the modern digital photographer should be going to the first. The frugal and/or photographing newcomer, should be going to the the second and third as well. The latter two are actually good suggestions for getting close to professional results via methods that... well, professionals would balk at. Can't knock a cool photo now, can you? Anyhow... having said that, some of the projects on those two sites circumvent some crappy aspects of amatuer photography as well... like that of flashing with more power.
2) Join a photo club/blog/site.
If you're on Facebook, like so many of us are, there are hundreds of photoclubs. I alone, am in 3 different clubs, but I will admit, I don't really go to two of them often. I have found that these photoclubs can be a boon to a photographer looking for a challenge and for ideas. The reason being is, you can get a glimpse into what others are taking photos of. I do have to say though, I have a bit of a problem with some groups as they will allow users of point and shoot cameras in their contests, which i think is kind of cheating. More to the point, P&S users don't understand EXIF or the difficulty in making settings work. I'll admit, there are some fancy P&S cameras out there that do have full manual modes in them, but none have the control of a decent SLR. At least, in my experience. (Though the S5 and G9 are rather good).
Having said that... photoblogs and clubs are great for lists of ideas. Here's a sample list of what you can take pictures of:
Machinery * Religious Celebrations * Earth/Wind/Fire/Water * Around the House * Graffiti * Diagonals * Technology * Time * Glass/Crystal * Spring * Trees * Games * Feathers * Gardens * Many * Family Fun * At the Beach * Waterfalls * Architecture * Mountains * Boats/Ships * What's for Dinner? * Symmetry* Ruins * Toys * Pools/Fountains * Weddings * Music * One * Roads/Paths * Fluid * From the Underside * Secret Places * Fences/Walls/Gates * People at Work * Waves * Eggs * Spires/Steeples * Faces * Vases * Square * Attics/Cellars * Landmarks Ice * Centrepieces * Beverages * Grasses * Wood * Demolition * Collections * Books * Running * Fruit/Berries
3) The last suggestion is more of an idea that I'd rather not suggest, but it should be considered.
PUT THE CAMERA DOWN - at least for a while. I have found that the best way to get around a slump is to not be bothered by said slump. Putting the camera away for a while will force an abandonment of some bad techniques (theoretically) and will give you fresh eyes when you return to it. Sometimes, it helps to put it away so you can give thought to a technique you'd like to try. Thinking is good. Compose the shot as best as you can in your mind - think of how you need to set everything up and how to get there with your (available) equipment.
Having said all this... I'm currently trying to think through aperture designs for my Lensbaby.
My current project is attempting to create a zone plate for my lensbaby. Understandably, the creative aperture that I will eventually create will not be a true zone plate, but it will be the closest damn thing i can get to one. Naturally, a pinhole will be the easiest to accomplish (drill a hole in the aperture disk and bam! pinhole.
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